Isabelle Andriessen

Isabelle Andriessen

Dutch, born 1986, lives and works in Amsterdam, NL. Studied at Malmö Art Academy, Malmö, Sweden (2013-15). Gerrit Rietveld Academie, Amsterdam, NL, BA Fine Art (2008-2013).

Selected exhibitions: 

Moderna Museet Malmö, Sweden (group, 2022/2023), Palace Enterprice, Copenhagen, DK (solo, 2022), Front International Triennial, Cleveland, Ohio, USA (2021), De Pont Museum, Tilburg, NL (solo, 2021), CAN Centre d´Art Neuchâtel, Switzerland (solo, 2021), Museum of Modern Art Warsaw, Polen (group, 2020), Malmö Konstmuseum, Malmö, Sweden (group 2020), Stedelijk Museum, Schiedam, NL (group, 2020), SixtyEight Art Institute, Copenhagen, DK (solo, 2019), 15th Lyon Biennale, Lyon, France (2019), Stedelijk Museum, Amsterdam (group, 2018), Lafayette Anticipants, Paris, France (group 2018)… 

Residencies/Awards: Lafayette, Paris (2018), 

Recent new publication (monograph) Dorm at Mousse publishers (2023)

Selected Press: Art in America (2022), Mousse Magazine (2022), Flash Art (2023), CURA (2020), …

Isabelle Andriessen Twilight Land at Morderna Museet Malmö, Sweden, Oct 2022 – April 2023
Isabelle Andriessen Twilight Land at Morderna Museet Malmö, Sweden, Oct 2022 – April 2023
Isabelle Andriessen Twilight Land at Morderna Museet Malmö, Sweden, Oct 2022 – April 2023
Isabelle Andriessen Twilight Land at Morderna Museet Malmö, Sweden, Oct 2022 – April 2023
Isabelle Andriessen Twilight Land at Morderna Museet Malmö, Sweden, Oct 2022 – April 2023
Isabelle Andriessen Twilight Land at Morderna Museet Malmö, Sweden, Oct 2022 – April 2023

Isabelle Andriessen

Born in 1986, The Netherlands 

Lives and works in Amsterdam 

Education

2013 / 2015 Malmö Art Academy, Malmö (SE) MA Fine Art

2011 School of the Arts Institute Chicago, Chicago (US) exchange BA Fine Arts

2008 / 2013 Gerrit Rietveld Academie, Amsterdam (NL) BA Fine Art 

Residencies

2017 / 2018 Rijksakademie van Beeldende Kunsten, Amsterdam (NL) 

2016 Arts & Science Honours Program, KNAW (Royal Dutch Academy of Science) 

Solo exhibitions 

2022

Palace Enterprise, Idle Knights, Copenhagen (DK)

2021

De Pont Museum, DORM, Tilburg, (NL)

CAN Centre d’Art Neuchâtel, BUNK, Neuchâtel, (CH) 

2019

SixtyEight Art Institute, Tidal Spill (day 331), Copenhagen (DK) 

2017

Hotel Maria Kapel, Resilient Bodies, Hoorn (NL) 

2016

Galleri CC, Resilient Bodies, Malmö (SE) 

Group exhibitions (selection) 

2022

Moderna Museet Malmö, Twilight Land, Malmö (SE)

beacon, At the levels of remains, Munich (DE)

FRONT International Triennial, Oh Gods of Dust and Rainbows, Cleveland (OH) 

2021

GAMeC, Nothing is ever lost, Bergamo (IT)

International Center for Landscape Art, Life to itself, Ile de Vassivière (FR) 

BINZ39, Issue de Secours, Zürich (CH)

2020

Museum of Modern Art Warsaw, The Penumbral Age, Warsaw (PL) 

Malmö Konstmuseum, Shapeshifters, Malmö (SE) 

Stedelijk Museum, Volkskrant Beeldende Kunst Prijs, Schiedam (NL) 

2019

15th Lyon Biennale, Là où les eaux se mêlent, Lyon (FR) 

Buitenplaats Doornburgh, Endless Life, Maarssen (NL) 

Lustwarande, Delirious, park de Oude Warande, Tilburg (NL) 

2018

Stedelijk Museum, Freedom of Movement, Amsterdam (NL) 

Lafayette Anticipations, The Center Cannot Hold, Paris (FR) 

Galerie Juliette Jongma, Sic-Fi, Amsterdam (NL) 

2017

Van Abbemuseum, In No Particular Order, Eindhoven (NL) 

CAB Art Center, Notes on our Equilibrium, Brussels (BE) 

Arti et Amicitiae, A Minor State of Flux, Amsterdam (NL) 

2016

Palazzo Saluzzo Di Paesana, DAMA, Turin (IT) 

Skulptur Bredelar, Hybrid Modus, Bredelar (DE)

Collections 

Malmö Konstmuseum, Sweden 

various private collations in the Netherlands, Austria, Germany, Belgium and France 

Publications

2022

DORM, monograph, texts Laura Mc Lean-Ferris and Mark von Schlegell, published by Mousse

2021

Nulla e Perduto, catalogue GAMeC Bergamo, text by Bernardo Mosqueira

2019

The Earth is Listening in by Domeniek Ruyters, Delirious Lustwarande Excusions in 

Contemporary Sculpture III 

Lectures 

2020

Kunstakademie Düsseldorf, artist lecture, SPARTA, Düsseldorf, (DE) 

Mister Motley, Kan niet bestaat niet, De Brakke Grond, Amsterdam (NL) 

2019

Sunday Seminar, Freedom of Movement, Stedelijk Museum, Amsterdam (NL) 

2018

Radical Cut-Up, Zombie Materials, Sandberg Institute, Amsterdam (NL) 

Friday Earth Sciences Talk, Zombie Materials, Utrecht University, Utrecht (NL) 

Lafayette Anticipations, public conversation with Hicham Khalidi, Paris (FR) 

KunstKennis – Art Culture Ecology, ARIAS & KNAW, Perdu, Amsterdam (NL) 

Press (selection) 

2022

Art in America, Isabelle Andriessen gives new meaning to “Long Duration” by Emily Watlington

ARTnews, 13 Standouts at Cleveland’s Front Triennial by Alex Greenberger

The Art Newspaper, Cleveland’s Front International triennial explores healing through art making by Claire Voon

MOUSSE Magazine, Sticky Agency: Isabelle Andriessen by Philipp Hindahl 

2021

ArtVierwer, Isabelle Andriessen at CAN Centre d’Art Neuchâtel, online review

ArtVierwer, Isabelle Andriessen at De Pont Museum, online review

Metropolis M, De verborgen agenda van materialen – Isabelle Andriessen by Maarten Buser

NRC, Een toekomst die angstaanjagend dichtbij komt by Hagar Schuringa

FD Persoonlijks, Deze sculpturen veranderen bij het verstrijken van de tijd by Ellen Leijser  

AOC media, L’Art Perméable – sur l’exposition La vie a elle-même by Rose Vidal     

2020

CURA Magazine, An Aesthetic of the Possible by Flora Katz (printed issue nr. 35) 

Le Libre, Les Sculptures d’Isabelle Andriessen by Gribaumont Gwennaëlle 

Flash Art, Where Water Comes Together with Other Water by Eli Diner 

NRC, Dit zijn de 14 kunstenaars die je moet gaan zien by cultural editory department 

2019

De Volkskrant, Deze vijf kunstenaars maken kans op de VBK Prijs by Anna van Leeuwen Elephant, The artists you have to see this November by Charlotte Jansen Frieze Magazine, 

An Infected Landscape of Oozing Materials by Helena Julian 

Publication Delirious Lustwarande, The Earth is Listening in by Domeniek Ruyters 

Metropolis M, Lustwarande – de Jubileum Editie by Linda Köke 

De Groene Amsterdam, Weekdieren by Arjan Reinders 

De Volkskrant, Lustwarande Delirious by Sarah van Binsbergen 

IDOART.DK, Planetary rethinking through closer gestures essay by Daeun Jeong 

2018

Metropolis M, Hoe nog in vrijheid te bewegen? by Sanneke Huisman Opium Radio 4, RijksakademieOPEN 2018, interview with Andrea van Pol 

Metropolis M, De verstrekkende gevolgen van het denken van Karen Barad by Liza Prins Artforum, Le centre ne peut tenir by Hannah Stamler (printed October issue) 

Mister Motley, De mens en de dood in het Antropoceen by Menno Vuister 

L’Ofciel, Guillaume Houzé : Vers un horizon que nous sommes en train d’inventer 

Inferno Magazine, Le centre ne peut tenir, Lafayette Anticipations 

Esse, Le Centre ne peut tenir, Lafayette Anticipations by Nathalie Desmet 

Liberation, A Paris, l’exposition Le centre ne peut tenir by Judicaël Lavrador 

Le Quoditien de L’art, Le centre ne peut tenir by Emmanuelle Lequeux 

Tout La Culture, Lafayette Anticipations, nouveau centre de creation by Laetitia Larralde 

La republique (de l’art), Les oeuvres plutot que les discour by Patrick Scemama 

2017

Metropolis M, RijksakademieOPEN 2017 – How the world/word ends, by Debbie Broekers Volkskrant, De hofeverancier van biënnales, beurzen en collecties, by Sacha Bronwasser ArtViewer, Notes on our Equilibrium at CAB 

Parool, Even doorbijten, ondanks de putlucht, by Kees Keijer 

NRC, De postapocalyptische landschappen van Isabelle Andriessen, by Lucette ter Borg 

Awards

2020

Volkskrant Beeldende Kunst Prize – shortlisted 

2018

Theodora Niemeijer Prize – shortlisted