Isabelle Andriessen
Dutch, born 1986, lives and works in Amsterdam, NL. Studied at Malmö Art Academy, Malmö, Sweden (2013-15). Gerrit Rietveld Academie, Amsterdam, NL, BA Fine Art (2008-2013). Residency: participant of De Rijksakademie, Amsterdam, NL (2017/2018).
Exhibitions 2024:
Kunsthal Ghent, Ghent, Belgium, solo exhibition
„Bile“ at Beige, Brussels, BE, solo exhibition (April/May)
„Phenomena“ at Elders Collectief, Kortrijk, BE (March/April)
„Come closer“ at Middleheim Museum, Antwerp, BE (June-Sept).
Selected exhibitions:
„Fugacity“ at Linnahall, Tallinn, Estonia, (August/Sept 2023) including Dora Budor, Cyprien Gaillard, Vanessa Billy, Felix Gonzales-Torres, curated by Margit Sädel & Kristina Grigorjeva // Moderna Museet Malmö, Sweden (group, 2022/2023) // palace enterprice, Copenhagen, DK (solo, 2022) // Front International Triennial, Cleveland, Ohio, USA (2021) // De Pont Museum, Tilburg, NL (solo, 2021) // CAN Centre d´Art Neuchâtel, Switzerland (solo, 2021) // Museum of Modern Art Warsaw, Polen (group, 2020) // Malmö Konstmuseum, Malmö, Sweden (group 2020) // Stedelijk Museum, Schiedam, NL (group, 2020) // SixtyEight Art Institute, Copenhagen, DK (solo, 2019) // 15th Lyon Biennale, Lyon, France (2019) // Stedelijk Museum, Amsterdam (group, 2018) // Lafayette Anticipants, Paris, France (group 2018)
Recent new publication (monograph) DORM at Mousse publishers (2023)
Selected Press: Art in America (2022), Mousse Magazine (2022), Flash Art (2023), CURA (2020), …
Isabelle Andriessen
Born in 1986, The Netherlands
Lives and works in Amsterdam
Education
2013 / 2015 Malmö Art Academy, Malmö (SE) MA Fine Art
2011 School of the Arts Institute Chicago, Chicago (US) exchange BA Fine Arts
2008 / 2013 Gerrit Rietveld Academie, Amsterdam (NL) BA Fine Art
Residencies
2017 / 2018 Rijksakademie van Beeldende Kunsten, Amsterdam (NL)
2016 Arts & Science Honours Program, KNAW (Royal Dutch Academy of Science)
Solo exhibitions
2022
Palace Enterprise, Idle Knights, Copenhagen (DK)
2021
De Pont Museum, DORM, Tilburg, (NL)
CAN Centre d’Art Neuchâtel, BUNK, Neuchâtel, (CH)
2019
SixtyEight Art Institute, Tidal Spill (day 331), Copenhagen (DK)
2017
Hotel Maria Kapel, Resilient Bodies, Hoorn (NL)
2016
Galleri CC, Resilient Bodies, Malmö (SE)
Group exhibitions (selection)
2022
Moderna Museet Malmö, Twilight Land, Malmö (SE)
beacon, At the levels of remains, Munich (DE)
FRONT International Triennial, Oh Gods of Dust and Rainbows, Cleveland (OH)
2021
GAMeC, Nothing is ever lost, Bergamo (IT)
International Center for Landscape Art, Life to itself, Ile de Vassivière (FR)
BINZ39, Issue de Secours, Zürich (CH)
2020
Museum of Modern Art Warsaw, The Penumbral Age, Warsaw (PL)
Malmö Konstmuseum, Shapeshifters, Malmö (SE)
Stedelijk Museum, Volkskrant Beeldende Kunst Prijs, Schiedam (NL)
2019
15th Lyon Biennale, Là où les eaux se mêlent, Lyon (FR)
Buitenplaats Doornburgh, Endless Life, Maarssen (NL)
Lustwarande, Delirious, park de Oude Warande, Tilburg (NL)
2018
Stedelijk Museum, Freedom of Movement, Amsterdam (NL)
Lafayette Anticipations, The Center Cannot Hold, Paris (FR)
Galerie Juliette Jongma, Sic-Fi, Amsterdam (NL)
2017
Van Abbemuseum, In No Particular Order, Eindhoven (NL)
CAB Art Center, Notes on our Equilibrium, Brussels (BE)
Arti et Amicitiae, A Minor State of Flux, Amsterdam (NL)
2016
Palazzo Saluzzo Di Paesana, DAMA, Turin (IT)
Skulptur Bredelar, Hybrid Modus, Bredelar (DE)
Collections
Malmö Konstmuseum, Sweden
various private collations in the Netherlands, Austria, Germany, Belgium and France
Publications
2022
DORM, monograph, texts Laura Mc Lean-Ferris and Mark von Schlegell, published by Mousse
2021
Nulla e Perduto, catalogue GAMeC Bergamo, text by Bernardo Mosqueira
2019
The Earth is Listening in by Domeniek Ruyters, Delirious Lustwarande Excusions in
Contemporary Sculpture III
Lectures
2020
Kunstakademie Düsseldorf, artist lecture, SPARTA, Düsseldorf, (DE)
Mister Motley, Kan niet bestaat niet, De Brakke Grond, Amsterdam (NL)
2019
Sunday Seminar, Freedom of Movement, Stedelijk Museum, Amsterdam (NL)
2018
Radical Cut-Up, Zombie Materials, Sandberg Institute, Amsterdam (NL)
Friday Earth Sciences Talk, Zombie Materials, Utrecht University, Utrecht (NL)
Lafayette Anticipations, public conversation with Hicham Khalidi, Paris (FR)
KunstKennis – Art Culture Ecology, ARIAS & KNAW, Perdu, Amsterdam (NL)
Press (selection)
2022
Art in America, Isabelle Andriessen gives new meaning to “Long Duration” by Emily Watlington
ARTnews, 13 Standouts at Cleveland’s Front Triennial by Alex Greenberger
The Art Newspaper, Cleveland’s Front International triennial explores healing through art making by Claire Voon
MOUSSE Magazine, Sticky Agency: Isabelle Andriessen by Philipp Hindahl
2021
ArtVierwer, Isabelle Andriessen at CAN Centre d’Art Neuchâtel, online review
ArtVierwer, Isabelle Andriessen at De Pont Museum, online review
Metropolis M, De verborgen agenda van materialen – Isabelle Andriessen by Maarten Buser
NRC, Een toekomst die angstaanjagend dichtbij komt by Hagar Schuringa
FD Persoonlijks, Deze sculpturen veranderen bij het verstrijken van de tijd by Ellen Leijser
AOC media, L’Art Perméable – sur l’exposition La vie a elle-même by Rose Vidal
2020
CURA Magazine, An Aesthetic of the Possible by Flora Katz (printed issue nr. 35)
Le Libre, Les Sculptures d’Isabelle Andriessen by Gribaumont Gwennaëlle
Flash Art, Where Water Comes Together with Other Water by Eli Diner
NRC, Dit zijn de 14 kunstenaars die je moet gaan zien by cultural editory department
2019
De Volkskrant, Deze vijf kunstenaars maken kans op de VBK Prijs by Anna van Leeuwen Elephant, The artists you have to see this November by Charlotte Jansen Frieze Magazine,
An Infected Landscape of Oozing Materials by Helena Julian
Publication Delirious Lustwarande, The Earth is Listening in by Domeniek Ruyters
Metropolis M, Lustwarande – de Jubileum Editie by Linda Köke
De Groene Amsterdam, Weekdieren by Arjan Reinders
De Volkskrant, Lustwarande Delirious by Sarah van Binsbergen
IDOART.DK, Planetary rethinking through closer gestures essay by Daeun Jeong
2018
Metropolis M, Hoe nog in vrijheid te bewegen? by Sanneke Huisman Opium Radio 4, RijksakademieOPEN 2018, interview with Andrea van Pol
Metropolis M, De verstrekkende gevolgen van het denken van Karen Barad by Liza Prins Artforum, Le centre ne peut tenir by Hannah Stamler (printed October issue)
Mister Motley, De mens en de dood in het Antropoceen by Menno Vuister
L’Ofciel, Guillaume Houzé : Vers un horizon que nous sommes en train d’inventer
Inferno Magazine, Le centre ne peut tenir, Lafayette Anticipations
Esse, Le Centre ne peut tenir, Lafayette Anticipations by Nathalie Desmet
Liberation, A Paris, l’exposition Le centre ne peut tenir by Judicaël Lavrador
Le Quoditien de L’art, Le centre ne peut tenir by Emmanuelle Lequeux
Tout La Culture, Lafayette Anticipations, nouveau centre de creation by Laetitia Larralde
La republique (de l’art), Les oeuvres plutot que les discour by Patrick Scemama
2017
Metropolis M, RijksakademieOPEN 2017 – How the world/word ends, by Debbie Broekers Volkskrant, De hofeverancier van biënnales, beurzen en collecties, by Sacha Bronwasser ArtViewer, Notes on our Equilibrium at CAB
Parool, Even doorbijten, ondanks de putlucht, by Kees Keijer
NRC, De postapocalyptische landschappen van Isabelle Andriessen, by Lucette ter Borg
Awards
2020
Volkskrant Beeldende Kunst Prize – shortlisted
2018
Theodora Niemeijer Prize – shortlisted
